Juliet Mushens

“High concept hooks, beautiful writing and page turning plots are what I’m looking for”

Juliet Mushens has been an agent for over a decade. More than a dozen of her clients are Sunday Times bestsellers with half a dozen claiming the number one slot in the last two years alone. Her clients include million-copy no. 1 bestseller Jessie Burton, multi-million copy NY Times bestseller Taran Matharu, record-breaking multi-million copy no. 1 bestseller Richard Osman. The Times ran a piece recognising her as the first agent to represent the number 1, 2 and 3 UK bestsellers in the same week: ‘Star literary agent first to top the charts three times’, a feat she repeated in 2022. Juliet sits on the advisory board of Book Brunch and is currently President of the British Fantasy Society. You can find her on twitter as @mushenska.

Submitting to Juliet

Juliet is looking for: crime, thriller, psychological novels, reading group fiction, gothic novels, historical fiction, and SFF. A snapshot of Juliet’s favourite novels includes: The Book of Night WomenRoomThe Hate U GiveUprootedAmericanah, Gone Girl, We Need to Talk about Kevin and The Vanishing Half. She likes high concept hooks, twists and turns (she’s a huge fan of Gillian Flynn!), books with an international appeal, thought-provoking novels with meaty issues to discuss, and books which make her cry. 

Juliet is not looking for: she’s not naturally drawn to novels based in the afterlife, anything involving demons or angels, bildungsroman novels, religious/conspiracy thrillers, or spy novels.

Recent novels she has sold include: Hattie Williams’ debut following a publicity assistant’s affair with a much older, very married novelist (UK: Orion; US: Ballantine), Saara El-Arifi’s Faebound, a fantasy novel set in a world of elves and fae (UK: HarperVoyager; US: Del Rey), Sarah Hornsley’s Bad Blood about a lawyer prosecuting a case who realises the accused is her first love, who disappeared years ago (UK: Hodder)

Please do not send her: picture-books, MG, non-fiction, novellas, short stories/short story collections, screenplays or poetry collections. Please do not send her unfinished books. Unless she has specifically asked to see it, do not send her revised versions of earlier manuscripts she has rejected. Do not send her novels which her colleagues have rejected.

Juliet’s Clients